Música d’orgue a Catalunya s. XVIII - s.XIX vol.II

This collection sheds some light on the stylistic follow of the keyboard Iberian music. It shows part of the sound of a process of change by which, from a highly modal language with the tiento as its highest expression, it came to the sonata, embodiment par excellence of the tonal realm.The coexistence of the old and new style, to a greater inclination toward tonality and the progressive abandonment of strict counterpoint, sonata incipient ternary schemes and imaginative classical passages and emphatic style that reaches romanticism, are among the elements the route that offers this selection of works by Catalan composers for key.