Buy
DT00115 3[1.2.3/pic] 3[1.2.3/ci] 3[1.2.clb] 3[1.2.3/cfg]- 4331 - timp+1 - 2arp - archi
cym.sd.tri.bell(F#)
20 Minutes
Tritó
98
2012
This item is a PDF-download. By submitting your order you consent to these conditions: The purchase of this item entitles you to download and to save this file and to print one copy for private use. You do not have the right to hand it on to any third party or to make it available via the internet. The purchase of the PDF-file does not contain the conveyance of copyright. You do not have the right to withdraw from the purchase of the PDF-download after you have downloaded the PDF-file.
The suite Hispàniques was a vast project that Joan Lamote de Grignon began in 1911 with Andalusia. The idea was to create a symphonic trilogy using musical motifs from different regions of Spain. To get an idea of the projected scale of the work, it is only necessary to take a look at the score of Andalusia in the 1924 edition. Hispàniques is specified as a symphonic trilogy, whose first part consists of four movements: I. A ndalusia (symphonic scene) II. D ramatic gloss on the traditional song El testament d’Amèlia III. C atalan scherzo IV. A ragon (in the style of a jota) He only completed the first two movements of the first part. As regards the third, which takes the traditional song El bon caçador (The Good Hunter) as a theme, the unfinished general score has survived, whereas there are only some outline notes for Aragon.

Andalusia

Catalunya