Scarlatti in Spain

Luisa Morales

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Proceedings of FIMTE (Festival Internacional de Música para Teclado) Symposia 2006-2007

Subject:History by Periods, History by Geographic location, History by Subject, History and Organology
Language:Spanish, English
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Publisher:Leal
Published in:2009
First published in:2009
Pages:400
ISBN:9788461318063
Ref:DL00728
Content:Instrumentos de teclado: I. De Nápoles a Lisboa / Keyboard Instruments: I. From Naples to Lisbon

FRANCESCO NOCERINO
Instrumentos y cembalari en Nápoles durante el período español

JOHN KOSTER
The Early Neapolitan School of Harpsichord Making

GIOVANNI PAOLO DI STEFANO
Cembali from Beyond the Lighthouse: Harpsichord Makers in Sicily

LUCIANO BUONO
Donato del Piano: un organero napolitano en Sicilia, 1725-1785

GIULIANA MONTANARI
The Keyboard Instrument Collection of Grand Prince Ferdinando de Medici at the Time of Alessandro and Domenico Scarlatti’s Journeys to Florence, 1702 and 1705

TERESA CHIRICO
Noticias inéditas sobre instrumentos de teclado, constructores y músicos en Roma, en la corte del Prícicpe Cardenal Pietro Ottoboni entre los años 1689 y 1719

GERHARD DODERER
Remarks on Domenico Scarlatti’s Portuguese Period, 1719-1729

Instrumentos de teclado: II. España / Keyboard Instruments: II. Spain

JOHN KOSTER
Domenico Scarlatti and the Transformation of Iberian Harpsichord Making

JOHN PHILIPS
The "Carmel de las Batuecas" Harpsichord, Is It Spanish? (John Phillips)

CRISTINA BORDAS IBÁÑEZ - RAFAEL MARIJUÁN ADRIÁN
El taller de un "clavicordiero" del siglo XVIII: el clave de Zeferino Fernández (Valladolid, 1750) de la Fundación Joaquín Díaz

MICHAEL LATCHAM
The Instrument of Many Colours Made by Tadeo Tornel in Murcia, 1777

Las Sonatas / The Sonatas

STEWART POLLENS
The Pianoforte in the Performance of Scarlatti’s Sonatas

LUISA MORALES
Sonatas-Bolero by Domenico Scarlatti

MARCO MOIRAGHI
The Last Keyboard Sonatas by Domenico Scarlatti (K.514-555): An Analytical and Terminological Proposal

NINA KEY
Motivic and Thematic Material as Determinants of Form in the Scarlatti Sonatas

JENNY SILVESTRE
El bajo cifrado en la sonata scarlattiana: ¿Cuál es su significado y su función?

SUSANNE SKYRM
The Fugues in Sebastian Albero’s "Obras para Clavicordio": A Second Version
Scarlatti in Spain
Luisa Morales
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