Analytical Strategies and Musical InterpretationEssays on Nineteenth- and Twentieth-Century Music
Price: 48.21 €
This book is devoted to music analysis as an interpretive activity. Interpretation is often considered only in theory, or as a philosophical problem, but this book attempts to demonstrate and reflect on the interpretive results of analysis. Two associated types of practice are emphasised: ’translation’, the transformation of one type of experience or art object into the musical work, the artistic attempt to persuade us that the new product is as valid as its original, or more so than its origin; and ’rhetoric’, the attempt to persuade us, through structure, to accept the signifying power of the work. The unifying theme of the essays is the interpretive transformation of concepts, ideas and forms that constitutes the heart of the compositional process of nineteenth- and twentieth-century music. The repertoire discussed ranges from Schumann through Wagner, Mahler, Zemlinsky, Debussy, Schoenberg, Berg, Webern and Stravinsky to Carter and Birtwistle.
| Subject: | Music Criticism, Musical Analisis |
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| Language: | English |
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| Publisher: | Cambridge University Press |
| Published in: | 2004 |
| First published in: | 2004 |
| Pages: | 336 |
| ISBN: | 9780521543972 |
| Ref: | DL01502 |
| Content: | 1. Introduction: different trains Craig Ayrey Part I. Translations: 2. Stravinsky’s symphonies: accident or design? Stephen Walsh 3. Transcription and recomposition: the strange case of Zemlinsky’s Maeterlinck songs Derrick Puffett 4. Symphony or symphonic scenes: issues of structure and context in Schumann’s ’Rhenish’ Symphony Michael Musgrave 5. The poetry of Debussy’s En blanc et noir Jonathan Dunsby 6. Poem as non-verbal text: Elliott Carter’s Concerto for Orchestra and Saint-John Perse’s Winds Jonathan W. Bernard Part II. Rhetorics: 7. Birtwistle’s secret theatres Jonathan Cross 8. The narrative impulse in the second Nachtmusik from Mahler’s Seventh Symphony Kopi Agawu 9. ’Von heute auf morgen’: Schoenberg and the New Criticism Alan Street 10. Misleading voices: contrasts and continuities in Stravinsky studies Anthony Pople 11. Immortal voices, mortal forms Carolyn Abbate 12. So who are you? Webern’s Op. 3, No. 1 Da |
Price: 48.21 €
