Verdi and the GermansFrom Unification to the Third Reich
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This seminal study of Giuseppe Verdi’s German-language reception provides important new perspectives on German musical culture and nationalism from the mid nineteenth century onwards. Kreuzer argues that the concept of Germany’s musical supremacy, so dear to its nationalist cause, was continually challenged by the popularity of Italian opera, a genre increasingly epitomised by Verdi. The book traces the many facets of this Italian-German opposition in the context of intense historical developments from German unification in 1871 to the end of World War II and beyond. Drawing on an exceptionally broad range of sources, Kreuzer explores the construction of visual and biographical images of Verdi; the marketing, interpretation and adaptation of individual works; regional, social and religious undercurrents in German musical life; and overt political appropriations. Suppressed, manipulated and, not least, guiltily enjoyed, Verdi emerges as a powerful influence on German intellectuals
| Tema: | Òpera i Sarsuela, Biografies, Història per Gèneres, Interpretació, Anàlisi musical |
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| Idioma: | Anglès |
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| Editorial | Cambridge University Press |
| Any d'edició: | 2010 |
| Any de publicació: | 2010 |
| Núm. Pàgines: | 382 |
| ISBN | 9780521519199 |
| Referència: | DL01487 |
| Contingut: | Preface 1. Introduction: Italian opera and German historiography 2. Verdi’s Requiem and the anxious young Kaiserreich 3. Maestro to Meister: Verdi purified 4. The ’Verdi renaissance’ 5. Verdi in the Third Reich 6. Epilogue: post-war Verdi Appendix 1. Verdi’s Requiem in German-language countries, 1875–1901 Appendix 2. Successful Verdi revivals in German-language theatres, 1901–1951 Select bibliography. |
