Babel 46, opera in four tableaux (full score)
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"In composing Babel 46, although my intention was not to diverge significantly from operatic conventions per se, I wanted to avoid any influence that might stem from my preferences for the four great national schools of opera: the Russian, so momentous; the German, gravid with philosophical speculations that I was unable to assume; the French, less important but distinguished by true projection; and the most emblematic of them all: the Italian".
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