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In Fuegos (Fires), the artifice is provided by a complex interplay of symmetric devices that, at times, it even affects the visual aspect of the score.
This could be considered as an imaginary difficulty which limits the liberty of action, but on the other hand, when translated into sound, it creates a hypnotic effect.
Here, musical time starts to behave like a spiral, where the instrumental colors come back on themselves, whilst advancing at the same time.